I recently played a lot on Lichess, where you can use both methods in the same game (no need to configure in advance) and find that personally in most situations I prefer to drag and drop, only if I have enough time I will consider to make a 'half premove' where I already click the piece that I am likely to move and be ready to click on the spot where it needs to go. And keep in mind that most people in online chess still use a mouse. More details to be confirmed by artist closer to the time.One thing you mention is that you use a touchpad, which behaves significantly different from a mouse. May also contain references to queerphobia and violence against the queer community. It is pure beast and anything but polite.Ĭontent Notice: Contains themes of marginalisation on lines of gender and sexuality. Fusing techno clubbing, gig theatre and Victorian melodrama, DOG is loud, abrasive, and messy. With direction and dramaturgy by Emma Jude Harris (WATCH ON THE RHINE, Donmar Warehouse) and music by Hatty Carman (Thigh High), Hugh Wyld's new solo show asks: who is and isn't permitted to be part of a 'family', and what is the relationship between woman and beast?ĭOG explodes the four walls of the 'well-made play' to reveal a queer future in which we unlock our inner animal and embrace chaos. Inspired by incidents of Victorian dognapping, particularly the theft of Elizabeth Barrett Browning's dog Flush, DOG examines queerness, prescribed gender roles in the Victorian age, female etiquette, and the sphere of domesticity. ![]() Suitable for 18+ Please note this performance will have a live dog on stage.Ī glimpse into the inner lives of pets and their owners across space and time.Ī collision of drag, cabaret, vaudeville, Gothic novel, live art, and canine spectacle. Where there is danger there is also affection, where there is resistance there is also desire.Ĭontent notice: Throughout the show, violence and abuse will be depicted through graphic scenes where performers may choke, hit or threaten each other. Health warnings: Weapons/dangerous implements, Smoke/fog/haze, Loud noises, Strobe lighting All taking place in a bathroom at a party, physical theatre, sound design and dialogue will create a challenging piece of theatre that is jam-packed with unexpected twists. Especially in an age where cancel culture runs rampant and people can be quick to sentence each other as the "bad/good" one, we want audiences to think consciously and critically, and take the time to understand the humans behind it all. It challenges the assumptions of its audience and opens the brackets of who is capable of abuse. The show revolves around the unfiltered relationship between two people behind closed doors and intends to shed light on the different types of abuse that can happen. Through this physical exploration, the themes of power and struggle arose as two peculiar characters emerged. Why would someone stay in an abusive relationship?Īnd still i reach for your hand is a work-in-progress show that came about when the actors decided to book a studio one day after school and do a contact improvisation jam. ![]() Health warnings: Strobe lighting, flashing lights, visual effects (glitter curtains etc.)Īnd still i reach for your hand - Theatre Apart - 25 mins It will focus on the (cis) female body, looking at ways the Southeast Asian woman has been personified through submission and fetishisation, influencing both external and subconscious perceptions of the self.įrom a migrant led perspective, colonised frameworks will be interrogated through story-telling, movement, projection and repetition - ending with a reclamation of identity and a celebration of self.Ĭontent notice: Themes of sexual nature. Informed by personal experiences growing up across the global East and West, Gadis Ayu Terakhir explores the colonial hangovers that have dictated cultural perceptions of our bodies, alongside the asymmetrical relationship between the objectifier and the objectified. Gadis Ayu Terakhir - Alisha/Alysha - 25 minsĪ piece of experimental theatre informed by absurdism and traditional dance, Gadis Ayu Terakhir aims to explore intra cultural objectification and the identity struggles of marginalised bodies. ![]() So please join us for – and share your thoughts on – these exclusive previews of tomorrow’s most exciting theatre, today… They’re doing so because they want to know what works and what doesn’t, and they’d love you to tell them. ![]() These jam-packed platforms are highlights of the CPT programme: the place to see wild and wonderful new projects take their first steps.Įach bill features three or four artists or companies performing 15-20 minutes of fresh-from-the-rehearsal-room work-in-development. Big Bang is CPT’s regular scratch night: an explosion of performance from which new universes of theatre may one day emerge.
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